As a long-time fan of American crime writers Dashiell Hammett and Raymond Chandler and the many ‘Noir’ films that their novels inspired, I once wrote a lengthy narrative rhyming poem, Bullets at the Bank, that has yet to find a publishing niche.
Alongside it I wrote a number of ‘shorts’ in a similar vein, collectively entitled Mug Shots, as homage to the old American black and white films that I so enjoyed as a boy in the 1950s.
Despite their brevity, each tells a story.
Here’s one of them. It’s probably best to read it with a pronounced American drawl.
THE DUMB-ASS GUY
What kind of dumb-ass guy am I
to screw my life up for a dame?
She tells me now, two weeks too late,
she’s married to a guy can maim:
a goddam killer, that’s no lie.
Turns out this gal is murder bait.
I’m holed up, like a jailhouse rat,
regretting how it all began
with that doll’s cute, seductive drawl.
She’s gone. I’m working out a plan
but, goddam, it’s like singing scat:
my plan don’t make no sense at all.
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