Bordeaux Bay

Bordeaux Bay
Bordeaux Bay by Guernsey-based artist Tony Taylor

Sunday, 29 May 2022

AUTO BIOGRAPHY

The poem, Memento Mori, is a personal favourite. It first appeared in my 2017 collection, Stone Witness, and has since appeared in Snakeskin, a highly respected international poetry webzine which previously published a number of my other poems.


Image Rod Hunt















MEMENTO MORI


An ambulance howls like a hurt cat;

parts traffic as Moses did the waves.


Worms burrow in awaiting graves.

A police car buzzes like a gnat.


Stuck in a jam of steaming cars,

I contemplate how life transforms

in moments. How they wait, those worms,

so patiently, for us, for ours.

 

Sunday, 22 May 2022

SOLITARY MAN

In much the same way as painters create self-portraits or insert small cameos of themselves in group portraits, so too does a poet often pen something of himself, often disguised, in his poems.












RECLUSE


All scattered to the winds and ways,

like blushing cherry blossom blown,

the friends, he knew when not full-grown,

have vanished from his elder days.

The carelessness of childhood meant

that friendships were a thing to find

then let escape. 

No contract signed.

No deal. 

A currency unspent.

If friendships had been coins or gold,

he might have locked inside a cage

all he had gathered to assuage

the loneliness of growing old.


Sunday, 15 May 2022

HEADING HOME

For over a year I've been posting a poem each day on my Facebook page and rarely do I share any of them on Bard at Bay because the Facebook posts tend to be absurdist verse, quickly read and easily disposed of. Now and again, however, one of those daily rhymes finds its way here and this one's an example of what you can find if you visit my public Facebook page https://www.facebook.com/richard.fleming.92102564/

















LAND OF YOUTH


Rex was a jaded retiree

whose joie de vivre was history.

A faded fellow, seen by some

as dull and permanently glum.

He saw a ladder on a wall

that wasn’t really there at all.

The wall itself was real enough,

full twelve feet tall, its finish rough;

the ladder, Rex could clearly see,

was unreal, purely fantasy,

and yet he scaled it, rung by rung,

with zest he had not felt since young.

Up, up he climbed, small, bony-kneed,

and felt his adulthood recede

with every step. A child again,

he climbed out of the world of men

into a realm where pains and aches

gave way to comic-books and cakes,

to conkers, roller-skates, balloons,

his old banjo, its tuneless tunes.

Rex, to his joy, saw Spike, his cat,

dead fifty years, grown sleek and fat,

and Jack, his terrier, alive,

who had been dead for fifty-five.

Around him, like chess-pieces, ranged

his childhood friends, each hardly changed,

his mother, young and free from care,

his father with a head of hair,

a cricket bat, a brand new ball,

those battered stumps, Rex could recall

from countless summers long ago

with Father shouting, bowl don’t throw.

Rex slowly realised the truth:

this was, of course, the Land of Youth,

the Tír na hÓige , he’d learned about.

Again, he heard his father shout,

who wants to climb this apple tree?

Rejuvenated, Rex cried, me!


Monday, 9 May 2022

SLEEPING IT OFF

Having experienced extremely hot temperatures in Europe recently and discovered that an escape to the coolness of the bedroom is the perfect antidote, I'm now a devotee of the siesta. After all, if cats do it, it must be a great idea.



















MEDITERRANEANS

In noon-day sun no creature moves
and even lizards, acid-green,
designed for heat beyond belief,
remain within their creviced walls.
Dogs hide away, cats sleep in shade
if anywhere shade can be found
and noon to four the natives sleep
or skulk like fugitives indoors, 
the black-clad women making lace,
the men at dominoes or cards.
They have adapted to their world
far better than we have to ours:
at ninety-three they’re still alive
while we burn out at fifty-five.

Sunday, 1 May 2022

NIGHT INTRUDER

In the spring 2014 Jane and I spent three months living in a small rented house in Italy. 

Situated in an unprepossessing village that had somehow managed to escape the notice of the multitudes of tourists that annually flock to Tuscany, the house was basic, clean and comfortable.

The long lazy days provided us with an opportunity to immerse ourselves in a way of life which was totally different from that of Guernsey.     

We were the only English-speakers in the area but were made to feel welcome and soon slipped into the languid rhythm of life in a hot southern climate.

At night the garden was lit by fireflies and an open door would attract moths. One such moth is the subject of this poem.






 








LA FALENA


A moth came in at the screen door

attracted by light as moths are.

It flickered like a small dark fan,

here and there: I could not ignore

its plight and trapped it in a jar,

released it outside. Foolish man:

moths will return, against the odds,

seeking out light as we do gods.